profound meditation (which you can access at the very end
of this page)
was channeled in preparation for our workshop in Sedona in mid-July,
1998. Initially, I was guided to use specific Atlantean tonals
(and their corresponding color combinations) found in Frank Alper's
3-volume series, Exploring
Atlantis in conjunction with each chakra center.
develop the workshop coordinators and prepare us for the Sedona
workshop, Melora, St. Germain and some of the members of The Council
of 12: "Lady Masters of Karma" conducted channeling
sessions with us . During one of these sessions, artist Teresa
Dunwell channeled the mudras (or empowered hand positions)
that completed the elements of the Heart-Axis Mudra Meditation.
the Heart-Axis Mudra Meditation in its entirety, as we now teach
it, consists of specific Atlantean tonals, mudras, and color
early one morning by a vision about a month before the Sedona
workshop, Teresa experienced the intricate flow of energies created
by this meditation. This experience was given her by The
Council of 12: "Lady Masters of Karma." The results
are shown below in an abbreviated representation of Teresa's
poster, which depicts the movements and qualities of energies
created when one does the Heart-Axis Mudra Meditation. -- Joanna Neff
through Joanna Neff
(from a channeling with artist Teresa Dunwell)
We are interested in
your consciousness of these movements of energy which you have
synthesized so beautifully into the art for representation. You
know how to be a conduit for the energies coming from the Great
Lady Masters of Karma. You did this in the vision that you had
in which this information about The Council of 12 came through.
You felt them energetically in your body and were able to transform
that, to transmit that, and to transmute that into this beautiful
representation of how all these energies work together. You do
this in all your paintings.
TERESA: is there
anything going within there that you would like to explain?
MELORA: In the poster you mean? Give
us a moment. The double-helix coming down through the crown,
the Isis energy, is also combined energy. It's not just Isis'
singular energy. It is also the energy of the Lady Master Mary,
encompassing. It is also the energies of the others. But Isis
is like the channel, or the "tube," if you will, that
contains that energy so that it may be directed, laser-like.
The whole point of the laser is that it's very condensed energy.
In order to do that it must be a tight beam. Lady Isis provides
the energetic structure for that to be aimed somewhere in a tight
beam. You also have the Athena energies coming in through the
crown and the energies from the other chakras that are supported
by the other masters being focused there too.
Our [Joanna] is correct
in her discussion before our session that what you're representing
here in these shapes over the body are Atlantean in orgin. People
see them duplicated in Egyptian ornaments on the body or Egyptian
adornments on the body, and she is correct in the female robes
of Egyptian paintings of Nefertiti--the very gathering symbolized
in the movements of these energies, the adornments around the
neck that were so heavy and breastplate-like, even this diamond
shape on the chin that is duplicated in the power symbol of the
Pharoah's beard. It was not the fashion for pharoahs to wear
real, physical beards. They put them on the masks to show authority.
But your symbol there is like the beard on the Sphinx or the
beard on the pharoah. That diamond shape that you have in gold
there is really that connection between the chakras as you depicted
TERESA: I find the gold and the silver
really fascinating. What energies lie within those?
MELORA: We would call the "silver"
actually platinum, which is white gold. So there is white
gold and yellow gold. Yellow gold is warm; white gold is cool
in its resonance, in its vibration. Those are just some of the
physical properties of that. They balance each other in resonance
It is no accident that
silver and gold are considered precious metals--platinum even
more precious because what is materialized first has a vibration
or idea that precedes it, as you know. The materialization
of precious metals and precious gemstones is an actualization
of templates of energy, geometric movements of molecules, and
so forth that, when brought into form, take these shapes and
qualities in physicality.
Along with that is
the very palest of green, as a very high vibration of green,
moving into the mental connection--mental not being brain-mental
but mental meaning "idea." Again, we're having the
intersection between spirit and matter, and the intersection
of spirit and matter takes place through idea. You have
consciousness. Consciousness is the pivotal point--we're calling
consciousness "consciousness-generating ideas"--creating
ideas. So you have Spirit, in consciousness, creating and
manifesting. That is that relationship there. We think of
green as a heart color as well, as in the old version of the
chakra colors, although, as you know, these colors have switched
out. But in terms of archetypes still encoded in human archetypal
memory is that association of that color with the heart. As the
very yellowy-green is showing how that transformation is taking
from that understanding of that color, that chakra, to a change
in color, or a combination of color that is going to switch out
and transform to a color that cannot be seen.
TERESA: And then the THU-MAR in the
3rd-eye area--that is a crown. Is that the crown that we wore
in Atlantean times? Is that much like that, as far as that connection?
MELORA: It is more an energetic structure--what
we call morphogenic structure that precedes physical structure.
The morphogenic structure of The Temple of Solomon, for example,
stills exists. The Parthenon's morphogenic structure still exists,
even though the pillars are in ruins. That is why you can feel
the energy when you go there, even though her physical temple
is in ruins. By the same token, there is a light apparatus at
the crown--quite a complex one. We've talked about this before,
about the sort of antennae you have in the etheric crystalline
body. At this point this shape in the etheric crystalline body
enables you to connect not only to your Higher Self but also
to the very Source Creator as your consciousness allows you.
There is a kind of spikey sense of energy there--like lightning
rods--in your chart.
TERESA: And then the lemon yellow
in the crown?
MELORA: This is, as you said, the mental
color. Again, this term has been so abused: "Oh, you're
so mental." But the creamy yellow is a spiritually mental
color. If it were just a lemon yellow, then it would be more
a mental/egoistic brain kind of yellow. But the creamy yellow
color is the connection to the Divine Consciousness, and since
human beings have a brain and since so much of your consciousness
and what you understand is interpreted through the physical brain,
then that is not something you can just get rid of, because you
think it's in the way. It's always going to be operating as long
as you're truly conscious in the body.
The emerald green color
at the base chakra, as you depict it (and as Dr. Alper has talked
about in his trilogy on Exploring Atlantis) is associated with
the tonal ZAU-RAM. Emerald green at this point, of course, is
not heart. We associate this green with the healing color and
balancing color. Here, at this location, it balances you, as
human beings, in the relationship between the Earth (your physical
home) and the heavens (your spiritual home). This is the balance
point between your existence on the Earth and your existence
TERESA: So it seems too, that as a
balancer, we've already moved into the higher chakras, or we're
moving into the higher chakras in this process of the green being
the base color rather than the red or orange. In correlation,
in number of mythologies associate green with the heart, but
it is that the heart is in the whole etheric system, rather
than what we usually think of as just the heart. It's become
that higher chakra. Is that right?
MELORA: You left out something. Let
us see. Here's how we will translate what we think you said:
The heart is now the base chakra as you move into Ascension consciousness,
but you're not physically ascended yet. Since you're ascending
in consciousness, the green that was associated with the heart
chakra is now your anchoring, grounding color and is now located
at the base chakra.
TERESA: Why is it that so many modalities
have so many different colors they're using right now?
MELORA: We recently
did a reading with a client in which we were describing the chakras
and the way they looked to the ancient sages. What we said is
that the chakras are going to look different for each person,
depending on their consciousness and what their path is. With,
say, Hindu swamis (monks) living in the same ashram, for example,
they do the same practices. They have very stringent principles
and beliefs: "If you follow this in a certain way, then
this is what will happen," and so forth. Because
they were subscribing to identical practices, philosophies and
beliefs, if one seer would clairvoyantly observe something that
looked very much like what another seer observed, then they would
say: "Okay. This is what the chakras look like, and we will
paint them now." That was true for them.
TERESA: And is that still true for
MELORA: This depends on whose chakras
you're looking at and where they are in their spiritual evolution.
There are differences according to that. If you have a group
of people who gather together--say soul groups--they already
have a similar resonance because they're related in their soul
families. Say, someone brings in a new program, as you're bringing
in here: The Heart-Axis Mudra Meditation. All the people you
will work with already have a somewhat similar resonance, and
so this is really going to be harmonious with them, but not
everyone will be.
TERESA: So when they view the poster,
when they do the tonals, what this will do is key into their
MELORA: At the Soul level. As an artist,
you're familiar with the term "montage." We have people
who aren't quite here yet; they're not quite lined up
yet, as in the chevrons on the Stargate in the movie. provided
for them. In doing these exercises they will come into
alignment instead of being "all fuzzy" and not having
any way to come into alignment without these keys being provided
for them. Then they will click into place.
It is a mistake, however,
to prescribe one path or process for everyone. When anyone says,
"There is only one way," you should turn around and
go the other way very fast! This is why The Keys of Enoch
is NOT for everyone. It's not for our [Joanna]. It makes no sense
to her. It doesn't resonate with her. It's simply not her system,
and that's okay. This is why it would be a mistake to say to
anyone, "Well, you don't have this system, so you're just
not up on the latest." We're not creating a religion here;
we are bringing together those with whom this will resonate and
that will further them and lock those chevrons into place so
that they can walk through that Stargate.
(from a later session)
What you're building
when you do The Heart-Axis Mudra Meditation is your communication
network that links you directly to the Great Beings and to The
One. Our [Joanna] interpreted this correctly--that this is not
synonymous with the merkaba.
"All of these
vessels (or 'vehicles', if you will), all of these orbital structures
work in conjunction with each other in a way that would be very
difficult for you to understand or to visualize. They don't get
tangled up in each other. (Our [Joanna] is getting this picture
of all these light filaments getting tangled up like fishing
lines, because you've got the merkaba, and you've got the orbital
structure, and you've got your communication webwork.) But since
this is light energy, the trick is to have it work harmoniously.
This works holographically.
Our notion of 'holographic', rather than the technological notion
of hologram, would be that some form, some substance of some
sort or some energy comes into form expressing sacred geometrical
structures energetically. Whether you can see them or not, those
energies form certain structures for certain purposes. So 'hologram',
for us, would mean that there are certain energetic structures
set up, and when you are in 3-D, your hologram is your everyday
life, and the people in it, the objects in it, and the events
What you create when
you do The Heart-Axis Mudra Meditation is a new structure. Now,
certain spiritual adepts have created structures similar to this,
but because of your relationship to so many others who are of
this consciousness, it is somewhat different. It is much more
evolved. It is much more high-tech, if you will, because it has
the supporting energies of others, as well. It is very much unlimited
potential as it affects you at the Soul level--not at the 3-D
level. Although it will definitely enhance the rest of your sojourn
here, it is really designed for your spiritual evolution beyond
There is this structure
that you set up that our [Joanna] called a 'communication web'
(as you do the tonals, The Heart-Axis Mudra Meditation). As Roberta
doused with her dousing rods this morning, the field extends,
in its core energy, about 15 feet out from the body. This is
your intersection with all of the information coming in.
There are literally no time or space barriers. So the realities,
the Akashic records, what is going on with people you're talking
to in 3-D, what is going on with Beings who are not in 3-D at
all--ALL that is possible to you as this communication web continues
to be established and then is finally 'settled' around you. At
some point it will be totally in place and you will no longer
need to do The Heart-Axis Mudra Meditation to keep putting it
You have 'miracle'
experiences when this communication webwork is set up. Really,
the part that is personal to you is the etheric crystalline body.
The energies that you're creating to surround you give you an
extension, or a receptive, communicative, transmitting-receptive
power that you wouldn't have just within your etheric crystalline
body itself. (See Melora's channeling on The
Etheric Crystalline Body and Melora's Sedona Journal
article, "Etheric Body Crystals.")
After practicing this
meditation consistently for a time, you essentially 'channel'
all the time. You're no longer setting up the protocols, the
channeling session--no longer setting up that 'pipeline' or having
all the apparati in place. You are just receiving throughout
your entire light structure being constantly. As you can probably
infer, that is a good description of Ascension of consciousness
and as a change in your physical structure that you call bringing
your body to light. As we said, having the etheric crystalline
body come into full formation, having this communication web
set up and finally in place, is the prelude to your bringing
your body to light. It's the next step."
Council of 12 speaks about Teresa's
"It is of great
intention that we proceed to give you this work. It is time for
this next evolution to provide all with the opportunity to raise
their Ascension consciousness. Each mudra [of the Heart-Axis
Mudra Meditation] is a part of the whole--no one is done unless
in context with the others. We have shown you as we match up
to your centers of higher learning. Each master is responsible
for a center in this course of study.
This will fluctuate
as vibrations are shifting and increasing in value. Know that
all will work together and with [Joanna]'s dear work all will
come into great activation.
This chart will give
those a mapping visually of what is to be accomplished in this
weekend. It holds the vibration of light which resonates light
codings in the eyes--both optical & third. Perceptually,
shifts in consciousness will begin as new colors are introduced
and played with. These new tonal color vibrations are key to
the new Millennium and, of course, adjustments will be made accordingly.
Yes, new color vibrations
. . . those you [Teresa] have received in your paintings and
higher ones still. Vibrationally you have no color for such,
but these too will be introduced to those who seek this information
and are open to new, lighter experience of color vibration.
It is for you to do
an exercise with color, asking those that they perceive not with
their eyes but with their hearts, asking Lady Kwan Yin and Athena
to guide them, in new understandings of color relationship. You
see, they will begin to see the color between the color, the
negative space is to be honored as much as the positive that
they have always associated with. They will at first find great
difficulty in separation . . . but in reality they will see the
transference of energy between the objects on a higher plane
of existence. This balance will create the new color--as in your
painting 'Perception'. It is what they see or read (energy) 'between
These are the new resonant
tones for humanity. In doing this you will open up the interior
plane of existence and expose the 'real' world. The illusion
will dissolve away [was shown waviness occurring, dimensionally
shifting--optically], moving into this non-reality . . . no form
. . . only vibration. Color being a key to unlock the vibration
. . . physical sound taking it a step further (moving from light
vibration in color to sound vibration--and pure colorless color).
Nothing that you have
as yet mastered. 'Prestidigitation'. Magicians, alchemy. Yes.
Onto it and not--meaning, yes they were all on to it--and not.
We are sanctioned by the Masters.
opening doorways of experience into dimensional consciousness.
The creativity is important. All life comes from passion, desire
and joy . . . to create from the ethers what has not taken form.
Unique you are. Don't be afraid to express your God self."
ISIS = Pillar of Light
PORTIA = 12 strands
MARY = All-encompassing
LADY NADA = Solar Plexus/Root Chakra
KWAN YIN = Thymus/Heart/Throat
ATHENA = Crown/3rd Eye
ST. GERMAIN = Ears
ARIEL = Higher Chakras
HEART-AXIS MUDRA MEDITATION
OF HEART-AXIS MUDRAS (hand positions)